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Wednesday, November 10, 2010


What I Learned in Writing 101… 5 Fun Writing Tips
by Kelli A. Wilkins

Hi everyone,
Welcome to my guest blog! Let me take a second to introduce myself. My name is Kelli Wilkins, and I’m an author of erotic romances. To date, I’ve had 11 novels/novellas published by Amber Quill Press. I’ve also written four non-fiction pet care books, and dozens of horror, sci-fi, and romance short stories.

Whenever I do an interview, I’m always asked, “Do you have any advice or tips for writers?” Sure do! So today, I decided to share five writing tips. Writers will (hopefully) find them helpful, and readers will get an inside look at some “secrets” that go in to making interesting and sexy stories. These writing tips are based on advice I’ve received in my writing classes and from other writers, as well as discoveries I’ve made as I wrote. I included brief examples from some of my Amber Quill Press romances to illustrate a few points.

So, let’s started…

1. Lights, Camera, Action!: Always start your story with an interesting hook to capture the reader’s attention. Begin either 5 minutes before, during, or 5 minutes after “the big moment” that gives the character a problem and draws the reader into the character’s world. Keep the action going in the first few paragraphs. Don’t waste the first page describing the weather or how a character got dressed in the morning. (You can add supporting details into the back-story later.) Jump into the story and take your readers with you.

For example, in my paranormal-comedy, Beauty & the Bigfoot, I started the story about 5 minutes before Tara’s father brings home Bigfoot. (Yep, you read that right.) The reader is instantly absorbed into Tara’s experience as she meets (and falls in love with) Bigfoot, and then has to deal with her wacky father’s quest for fame.

In my fantasy romance novel, The Pauper Prince, I started the story just after Prince Allan learns that he’s been banished from the kingdom and must live as a pauper. It sets the stage for what’s to come and gives Allan a big problem from the outset of the story.

2. What’s Your Sign?: One of the keys to writing a good story is creating a believable cast of characters. But before your characters can step onto the page and come alive for readers, you have to create them. As the author, it’s your job to know your characters better than anyone. (After all, they’re your inventions.) Before you sit down to write your story, spend some time with your characters and learn everything you can about them so they come off well-rounded and “real” to readers. Some of the details you should know are:

·         Hair and eye color, general build/body shape
·         Left or right handed (great detail to know if there’s a gun involved in the story!)
·         Birthday and astrological sign. (You can develop character traits based on the sign. An astrology reference book is an excellent tool for this.)
·         Distinguishing marks (scars, missing limb, tattoos – and the back-story behind each)
·         Family life (brothers, sisters, adopted, parents together or divorced, raised by uncle, etc.) Have children? Want children or never even considered it?
·         Pets (cat or dog person? reptiles? raises bees? or no pets at all?)
·         Foods they like, dislike, any food allergies?
·         How much of a dark side does he/she have and how does it show?
·         Recreation (likes sports on TV, hates all sports, plays hockey, hikes, swims, surfs)
·         Fears and phobias (water, dolls, monkeys, wasps, falling, fire – and why!)
·         Wears glasses/contacts/braces, any medical conditions?
·         Where and how did they live/grow up? Poor, middle class, member of royal family?
·         What kind of car and house do they have? What are the furniture/decorations like?
·         Religion and general opinions about social issues/politics
·         What secrets do your characters have? What would happen if people found out about them?
·         Dreams, aspirations, goals, and regrets. Are they happy with their lives or do they wish they had done things differently?
·         Sexual history (straight, gay, experiments, virgin, non-virgin with regrets, loose, never been in love, had heart broken, etc.) Knowing this is VERY important for romances!

The more you know about the characters in your story, the more you can make the reader (and other characters) identify with them through details. You can also build on these details and/or use them to move the plot along, add conflict, build dramatic tension, or liven up a love scene.

In my contemporary romance, Trust with Hearts, Sherrie has recently left her abusive finance. Curtis notices her odd behavior and immediately identifies with her based on his own experiences with an abusive parent. Knowing these details about the characters helps them bond and adds to the plot. (Curtis is also keeping a whopper of a secret from Sherrie, but I won’t spoil the surprise!)

You don’t have to use everything in the story, but knowing that your character has to overcome her fear of water to save a child trapped during a flood will bring her to life.

3. Do Your Homework: I once tossed a book across the room because the author had tulips blooming in October. (Nope, sorry. Didn’t work for me. On my planet, they bloom in spring.) Maybe it’s a small detail that a non-gardener wouldn’t notice (or care about) but a little research could have fixed that problem.

Whatever you’re writing, it pays to do your homework and research a topic. This is especially true if you’re writing historical fiction, and it’s essential if you’re writing non-fiction. Research provides interesting details the reader might need to know for a part of the story, but in the very least, it lends itself to the believability of the setting, characters, and plot.

Find out about the time period you’ve set your story. What did people eat, where did they work, and what did money look like? How did they live? What did they have around the house? (Wood-burning stoves, fireplaces, butter churns, cast iron skillets?) What was invented then? If you’re writing about a character living in the 1800s, you have to know everything about the time period and “live” through the character to show the reader what that person’s life was like.

For example, don’t surround your Revolutionary War-era fort with barbed wire – it wasn’t invented until the late 1800s.

Sometimes you have to do research for contemporary stories. I did a ton of research about Bigfoot to write the character of Charlie, the Bigfoot expert, for Beauty & the Bigfoot. I needed to know everything about Bigfoot that Charlie would know to make the character believable.

4. Gotta Have a Goal: No matter how grand or simple, everyone has a goal. When you’re writing a story, you have to know what your characters want most – at least for right now. Different characters will have different goals, and along the course of your story, goals may change or a character will develop secondary goals.

Goals can, will, and should, vary depending on the type of story you’re writing, but they generally fall into two categories: emotional, or internal goals, and physical, or external goals. An internal goal is something the character needs or wants. (This can be meeting a soul mate and falling in love or healing grief after the loss of a loved one.)

An external goal is something the main character physically must do, such as steal a magic ring from a dragon or climb down into a cave to rescue his beloved. Sometimes goals start out simple (like buying a house or getting to a wedding on time), and your job as a writer is to make it hard for your character to achieve his/her goal by throwing in conflicts and obstacles that force your character to work harder.

In my book, The Pauper Prince, banished Prince Allan’s goal is to make his own way as a “regular” person working in the shipyard. But before long, he’s added secondary goals (protecting the woman he loves, solving a mystery, and keeping a secret) all while facing obstacles along the way. 

But writers don’t just give their characters goals, they also have to motivate them to reach those goals. Ask yourself “what’s at stake?” for the character. What if he/she doesn’t reach the goal, then what happens? If the answer is “nothing, he just moves on” then you need to up the stakes and get your character motivated. It will increase the action and keep the plot moving.

In Dalton’s Temptation, Princess Elara starts off with a simple goal of spying on her husband while he’s at a pleasure palace. Over the course of the book, the stakes get higher for all the characters. Spying on Dalton while hiding her identity starts out as a game for Elara – but soon becomes a matter of survival.

5. Sex is personal – for your characters!: No Whipped Cream guest blog would be complete without talking about sex! Readers always ask me sex (or love scene) related questions. Some people want to know how to keep the sex fresh from story to story, or wonder how much graphic detail is the “right” amount, and others want to know “how hard” it is to write a love scene (pun perhaps intended!) Here’s the best advice I have:

My Amber Quill Press romances run the gamut from a Heat Level of 1 (mild) to a 3 (scorching hot). I let the characters in each story determine the sexual content, graphic details, and overall heat level. Every story is different, and so are the sexual lives of the characters.

Writing in different romance genres also influences the sexual content. In The Dark Lord, (a historical) Katarina is innocent, so I approached her character as curious, yet eager to learn. Lauren in The Sexy Stranger (a contemporary) is a modern, sexually experienced woman. Writing for the different characters and their individual situations helps keep things interesting and fresh.

When I write love scenes, I stand back and let the characters do what comes natural. I generally know how far the scene will go ahead of time, but I let the characters take over and enjoy themselves. (After all, it’s their story, they deserve to have fun.) Later, when I edit/revise the story, I go back and cut anything that doesn’t work with the scene. I think love scenes have to flow naturally from the plot and the characters.

As for “how much to show” within a book or a scene, I think it depends on the book and the characters. Sometimes it’s nice to give the characters some “privacy” and imply what goes on; and yet, other times, readers want to see the passionate (fully detailed and repeatedly consummated) side of the relationship. I blend a little of each into my books. No matter what kind of love scene I write, I try to keep most of the focus on the characters and what they’re thinking and feeling emotionally—how the experience makes them more connected to their lover—rather than focus on what their bodies are doing. (Want examples? Check out my Amber Quill Press romances here:

I hope you’ve enjoyed this “inside look” at the writing process. It was fun sharing my thoughts with everyone. I welcome feedback and questions from readers. You can contact me via a form on the “News” page of my website.

Happy Reading!

Author Bio: Kelli Wilkins writes in several genres, including romance and horror. To date, she has published 11 romances with Amber Quill Press, and more are in the works. Readers are invited to visit her website ( to read excerpts and reviews from her romances (and other stories). Each week, Kelli updates her writing blog with news, commentary, advice, and anything else that comes to mind.


Sarah J. McNeal said...

What a fabulous and informative blog, kelli. I loved your writers' tips.

Tina Donahue said...

Great advice, Kelli - and extremely helpful!!

Kelli Wilkins said...

Thanks for the kind words! Glad you both liked the blog! I offer more writing advice/prompts etc. in my newsletter, "Kelli's Quill" and I post tips on my blog. You can find out more on my site,